Part of our weekly series with The Nib
on inequity in the time of pandemic.

Tawanda Jones, Baltimore, Maryland
Interviewed June 23, 2020

Interview by Anjali Kamat, illustrated by Thi Bui, script by Sarah Mirk and Amanda Pike.

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Anjali Kamat was a senior reporter at Reveal until summer 2022. She previously was an investigative reporter at WNYC, a correspondent and producer for Al Jazeera's current affairs documentary program "Fault Lines," and a producer, correspondent and host at Democracy Now! She's reported on global uprisings and wars, including the 2011 Arab Spring, and has investigated Wall Street's ties to predatory subprime auto loans, the Trump Organization's business deals in India, exploitation in Bangladeshi garment factories serving major U.S. brands, the trafficking of contract workers on U.S. military bases in Afghanistan and police impunity in Baltimore. Her work has won several major awards, including a duPont Award, multiple Emmy nominations and National Headliner Awards, an Overseas Press Club Award, a Peabody Award, and a Robert F. Kennedy Journalism Award. Kamat grew up in Chennai, India, and is based in New York.

Thi Bui was born in Vietnam and came to the United States in 1978 as part of the "boat people" wave of refugees fleeing Southeast Asia at the end of the Vietnam War. Her debut graphic memoir, The Best We Could Do (Abrams ComicArts, 2017) has been selected for an American Book Award, a Common Book for UCLA and other colleges and universities, an all-city read by Seattle and San Francisco public libraries, a National Book Critics Circle finalist in autobiography, and an Eisner Award finalist in reality-based comics. It made over thirty best of 2017 book lists, including Bill Gates' top five picks. She illustrated the picture book, A Different Pond, written by the poet Bao Phi (Capstone, 2017), for which she won a Caldecott Honor. With her son, Hien, she co-illustrated the children’s book, Chicken of the Sea (McSweeney’s, 2019), written by Pulitzer winner Viet Thanh Nguyen and his son, Ellison. Her short comics can be found online at Reveal News, The Nib, PEN America, and BOOM California. She is currently researching and drawing a work of graphic nonfiction about immigrant detention and deportation, to be published by One World, Random House.

Sarah Mirk (she/her) was a digital engagement producer for Reveal. Since 2017, she has worked as an editor at The Nib, an online daily comics publication focused on political cartoons, graphic journalism, essays and memoirs about current affairs. She works with artists to create nonfiction comics on a variety of complex topics, from personal narratives about queer identities to examinations of overlooked history. Before that, Mirk was the online editor of national feminist media outlet Bitch, a podcast host and a local news reporter. She is also the author of several books, including “Year of Zines,” a collection of 100 handmade zines, and “Guantanamo Voices,” a collection of illustrated oral histories of the world’s most infamous prison.

Amanda Pike (she/her) is the director of the TV and documentary department and executive producer of films and series at Reveal. Under her leadership, The Center for Investigative Reporting garnered its first Academy Award nomination and four national Emmys, among other accolades. She was the executive producer of the inaugural year of the Glassbreaker Films initiative, supporting women in documentary filmmaking and investigative journalism. She has spent the past two decades reporting and producing documentaries for PBS, CBS, ABC, National Geographic, A&E, Lifetime and The Learning Channel, among others. Subjects have ranged from militia members in Utah to young entrepreneurs in Egypt and genocide perpetrators in Cambodia. Pike also has dabbled in fiction filmmaking, producing the short film “On the Assassination of the President,” which premiered at the Sundance Film Festival. She is a graduate of Princeton University and the Columbia Graduate School of Journalism. She is based in Reveal's Emeryville, California, office.