The recent article by CIR’s Will Evans and LA Times reporter Richard Simon on earmarks sparked an editorial in the Times today, which concludes:

In February, Democrats took the spending bills they had inherited from the Republican Congress and stripped them of all earmarks, with incoming Senate Majority Leader Harry Reid (D-Nev.) patting himself so hard on the back for his party’s fiscal restraint that he was in danger of spraining something. He then turned around and wrote to federal agencies asking them to fund many of the projects that had been eliminated from the bills, according to research by the Center for Investigative Reporting. Reid was far from alone; lawmakers from both parties wrote to agencies appealing for projects in their districts.

Back in January, when pork was very much in the public spotlight, the Senate passed a bill requiring disclosure of the names of earmark sponsors. The House simply changed its rules to require disclosure. Since then, the process of reconciling the Senate bill with a similar version passed in the House has stalled. Some senators are disclosing their earmarks anyway, while others refuse. It is a near certainty, though, that unless the practice is codified in law, senators will return to business as usual. House rules, meanwhile, can be altered with each new session of Congress.

Attaching names to earmarks won’t eliminate them, but it decreases the likelihood that politicians will try to grab funds for something truly outrageous, such as the notorious $223-million Alaskan “bridge to nowhere.” The public is still watching; Democrats will pay a political price if they let earmark reform die.

Carrie Ching

Carrie Ching is an award-winning, independent multimedia journalist and producer based in the San Francisco Bay Area. For six years, she led digital storytelling projects at the Center for Investigative Reporting as senior multimedia producer. Her multimedia reports have been featured by NPR.org, The Huffington Post, Rolling Stone, Grist, Time.com, Fast Company, the Los Angeles Times, The Washington Post, KQED, PBS NewsHour, Salon.com, Mother Jones, Public Radio International, Poynter, Columbia Journalism Review and many other publications. Her specialty is crafting digital narratives and exploring ways to use video, audio, photography, animation and interactive graphics to push the boundaries of storytelling on the Web, tablets and mobile. Her work has been honored with awards from the Society of Professional Journalists, Investigative Reporters and Editors, Best of the West, the Online News Association, Scripps Howard, The Gracies, and was part of the entry in a Pulitzer-finalist project. Prior to her time at CIR she was a magazine and book editor, video journalist, newspaper reporter and TV comedy scriptwriter. She was on the 2010 Eddie Adams Workshop faculty as a multimedia producer working with MediaStorm to teach digital storytelling techniques to photojournalists. She completed a master’s degree in journalism at UC Berkeley in 2005.