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Amanda Pike (she/her) is the director of the TV and documentary department and executive producer of films and series at Reveal. Under her leadership, The Center for Investigative Reporting garnered its first Academy Award nomination and four national Emmys, among other accolades. She was the executive producer of the inaugural year of the Glassbreaker Films initiative, supporting women in documentary filmmaking and investigative journalism. She has spent the past two decades reporting and producing documentaries for PBS, CBS, ABC, National Geographic, A&E, Lifetime and The Learning Channel, among others. Subjects have ranged from militia members in Utah to young entrepreneurs in Egypt and genocide perpetrators in Cambodia. Pike also has dabbled in fiction filmmaking, producing the short film “On the Assassination of the President,” which premiered at the Sundance Film Festival. She is a graduate of Princeton University and the Columbia Graduate School of Journalism. She is based in Reveal's Emeryville, California, office.
Penny Rawlings is relieved to finally get her brother into rehab at a place called Cenikor. She doesn’t realize that getting him out of treatment is going to be the bigger problem.
A New York City waiter reflects on the changes COVID-19 has wrought on the city in this comic illustrated by Thi Bui.
Nurse Martha Marx talks about the difficulties of caring for patients amid the COVID-19 pandemic in this interview illustrated by Thi Bui.
Part four of our illustrated series on inequity in the time of pandemic.
Part of our illustrated series on inequity in the time of pandemic.
Part of our weekly series with The Nib on inequity in the time of pandemic. Sean, San Mateo, CaliforniaInterviewed April 13, 2020 Interview by Mallory Newman, illustrated by Thi Bui, script by Sarah Mirk and Amanda Pike.
Part one in our weekly series with The Nib on inequity in the time of pandemic.
As the pandemic sends more people online for entertainment, we look at how companies such as Facebook turn information about their users into profits.
As smart devices become a bigger part of our lives, we look at how Facebook and other companies profit from information about their users.
“The Dead Unknown” tells the story of Jane and John Does in America and the thousands of families left in the dark about their loved ones’ fate.