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Jim Briggs III is the senior sound designer, engineer and composer for Reveal. He supervises post-production and composes original music for the public radio show and podcast. He also leads Reveal's efforts in composition for data sonification and live performances.
Prior to joining Reveal in 2014, Briggs mixed and recorded for clients such as WNYC Studios, NPR, the CBC and American Public Media. Credits include “Marketplace,” “Selected Shorts,” “Death, Sex & Money,” “The Longest Shortest Time,” NPR’s “Ask Me Another,” “Radiolab,” “Freakonomics Radio” and “Soundcheck.” He also was the sound re-recording mixer and sound editor for several PBS television documentaries, including “American Experience: Walt Whitman,” the 2012 Tea Party documentary "Town Hall" and “The Supreme Court” miniseries. His music credits include albums by R.E.M., Paul Simon and Kelly Clarkson.
Briggs' work with Reveal has been recognized with an Emmy Award (2016) and two Alfred I. duPont-Columbia University Awards (2018, 2019). Previously, he was part of the team that won the Dart Award for Excellence in Coverage of Trauma for its work on WNYC’s hourlong documentary special “Living 9/11.” He has taught sound, radio and music production at The New School and Eugene Lang College and has a master's degree in media studies from The New School. Briggs is based in Reveal's Emeryville, California, office.
Three stories from local reporters who uncovered injustice and inequality in their hometowns, from an Ohio eviction crisis to Kentucky state police training materials that quoted Adolf Hitler.
Dr. Paloma Marin-Nevarez graduated in the middle of the pandemic. We follow the rookie doctor through her first months working on the front lines.
Baseball’s home run surge in the late ’90s and early 2000s was fueled by anabolic steroids. But fans didn’t want to hear the difficult truth about their heroes – and Major League Baseball refused to deal with a growing scandal.
Thirty years ago, a fight over old-growth forests and the spotted owl forever transformed the way we see – and fight over – the natural world.
Sports, theater and concert fans are excited venues are opening up again. So are clever ticket sellers who cash in on unsuspecting customers.
The future of warfare is seen in computer algorithms that enable weapons to decide what to hit – and therefore whom to kill.
Statues celebrating Confederates and conquistadors keep old myths alive, with stories of “benevolent slave owners,” heroic colonizers and enslaved people “contented with their lot.”
If we want to slow climate change, we have to slash methane pollution. Methane is heating up the planet and threatens the health of people who live near drill sites.
From wild anti-vaccine conspiracy theories to “Stop the Steal” and QAnon, we examine how misinformation swiftly spreads online – and the lives it disrupts.
In 1969, an unknown young woman was found dead off a remote mountain trail. Mountain Jane Doe, as locals called her, is one of more than 13,000 people in a national database of unidentified dead.
