Jim Briggs III is the senior sound designer, engineer and composer for Reveal. He supervises post-production and composes original music for the public radio show and podcast. He also leads Reveal's efforts in composition for data sonification and live performances.
Prior to joining Reveal in 2014, Briggs mixed and recorded for clients such as WNYC Studios, NPR, the CBC and American Public Media. Credits include “Marketplace,” “Selected Shorts,” “Death, Sex & Money,” “The Longest Shortest Time,” NPR’s “Ask Me Another,” “Radiolab,” “Freakonomics Radio” and “Soundcheck.” He also was the sound re-recording mixer and sound editor for several PBS television documentaries, including “American Experience: Walt Whitman,” the 2012 Tea Party documentary "Town Hall" and “The Supreme Court” miniseries. His music credits include albums by R.E.M., Paul Simon and Kelly Clarkson.
Briggs' work with Reveal has been recognized with an Emmy Award (2016) and two Alfred I. duPont-Columbia University Awards (2018, 2019). Previously, he was part of the team that won the Dart Award for Excellence in Coverage of Trauma for its work on WNYC’s hourlong documentary special “Living 9/11.” He has taught sound, radio and music production at The New School and Eugene Lang College and has a master's degree in media studies from The New School. Briggs is based in Reveal's Emeryville, California, office.
Many schools teach reading using an approach that can actually make it harder for kids to learn. They’re taught strategies like “look at the picture” and “think of a word that makes sense.” This episode is a partnership with American Public Media’s Sold a Story podcast.
In the 1990s, a Black doctor said he may have found a cure for AIDS – but federal regulators insisted it didn’t work. What was its true potential? This episode is a partnership with the Serum podcast from WHYY and Local Trance Media.
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In the decade since George Zimmerman killed 17-year-old Trayvon Martin in Florida, stand your ground laws have expanded across the nation. And with them come more homicides.
On a vast plantation in the Dominican Republic, Haitian migrants still use machetes to harvest sugarcane that’s exported to the U.S. The workers are protesting poor working and living conditions.
