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Laura Starecheski is a senior radio editor for Reveal. Their radio work at Reveal has won a national Edward R. Murrow, a duPont-Columbia, and a Peabody, among other awards. Previously, they reported on health for NPR’s science desk and traveled the United States with host Al Letson for the Peabody Award-winning show “State of the Re:Union.” Their Radiolab story “Goat on a Cow” won a silver award for best documentary from the Third Coast/Richard H. Driehaus Foundation, and SOTRU's “The Hospital Always Wins” won a national Murrow Award. They have been a Rosalynn Carter fellow for mental health journalism and a Knight-Wallace fellow at the University of Michigan. Starecheski is based in Philadelphia.
Racial justice, police accountability, mutual aid, climate activism, warp-speed vaccines – we look at ways our COVID-19 year changed American society.
Over the last four years, as Americans were consumed by endless Trump news, our partners at Coda Story have tracked his echoes on the global stage.
Where does America go from here? We talk with an asylum-seeking family, Georgia women on abortion and West Virginians on the impact of Black Lives Matter.
From problems with vote-by-mail systems to voter suppression, we examine the potential for chaos in the 2020 elections.
Self-isolation may protect us from COVID-19, but what if you’re forced to live with strangers? This week, we look at nursing homes and prisons.
For decades, work-based rehabs have spread across the country. No one knows how many are out there, so we counted them ourselves.
One man’s journey into Cenikor leads to almost two years of hard labor. The program will change him. But can it help Chris Koon with his addiction?
Before sunrise, a line of passenger vans heads to job sites across Baton Rouge, Louisiana. They carry squads of unpaid laborers.
Cenikor rises from the ashes, thanks to an inventor of NFL football pads, the war on drugs and the endorsement of an American president.
He’s a liar, a killer and a wannabe country singer. Luke Austin creates Cenikor in the image of a cult. But graft and violence nearly destroy it.
