This episode tells the story of a mysterious illegal dump in a Chicago neighborhood that grew to be sixstories high and spanned an area equal to 13 football fields. It was part of a federal investigation that brought down a dozen corrupt politicians, but it left neighborhood residents angry and feeling used.
Today’s episode is a collaboration with USA Today.
Produced by Anayansi Diaz-Cortes. Edited by Deborah George. Sound design by Hannis Brown. Reported by Robin Amer, Wilson Sayre and Jenny Casas of USA Today. The City’s executive producer is Liz Nelson.
Our production manager is Najib Aminy. Our sound design team is Jim Briggs and Fernando Arruda, who had help from Kaitlin Benz.
Support for Reveal is provided by the Reva and David Logan Foundation, the Ford Foundation, the John D. and Catherine T. MacArthur Foundation, The John S. And James L. Knight Foundation, the Heising-Simons Foundation and the Ethics and Excellence in Journalism Foundation.
Anayansi Diaz-Cortes is a reporter and producer for Reveal. Her work has been featured everywhere from All Things Considered to Radio Ambulante and This American Life. She is a recipient of the Overseas Press Club Award, the Edward R. Murrow Award, and the Third Coast/Richard H. Driehaus Foundation award. She was the creator and lead producer for KCRW’s Sonic Trace, a storytelling project that was part of AIR’s Localore initiative. Previously, she produced for Radio Diaries and has done extensive reporting in both the U.S. and Mexico. She is based in Reveal's Emeryville, California, office.
Deborah George is the senior radio editor for Reveal. She's also a contributing editor with the ""Radio Diaries"" series on NPR's ""All Things Considered."" George has worked in the U.S., Asia, Africa and Latin America, covering stories ranging from the Los Angeles riots to the Rwandan genocide. She's a two-time recipient of the George Foster Peabody Award and a six-time recipient of the Alfred I. duPont-Columbia Award (five silver batons and one gold baton).
Jim Briggs III is the senior sound designer, engineer and composer for Reveal. He supervises post-production and composes original music for the public radio show and podcast. He also leads Reveal's efforts in composition for data sonification and live performances.
Prior to joining Reveal in 2014, Briggs mixed and recorded for clients such as WNYC Studios, NPR, the CBC and American Public Media. Credits include “Marketplace,” “Selected Shorts,” “Death, Sex & Money,” “The Longest Shortest Time,” NPR’s “Ask Me Another,” “Radiolab,” “Freakonomics Radio” and “Soundcheck.” He also was the sound re-recording mixer and sound editor for several PBS television documentaries, including “American Experience: Walt Whitman,” the 2012 Tea Party documentary "Town Hall" and “The Supreme Court” miniseries. His music credits include albums by R.E.M., Paul Simon and Kelly Clarkson.
Briggs' work with Reveal has been recognized with an Emmy Award (2016) and two Alfred I. duPont-Columbia University Awards (2018, 2019). Previously, he was part of the team that won the Dart Award for Excellence in Coverage of Trauma for its work on WNYC’s hourlong documentary special “Living 9/11.” He has taught sound, radio and music production at The New School and Eugene Lang College and has a master's degree in media studies from The New School. Briggs is based in Reveal's Emeryville, California, office.
Fernando Arruda is a sound designer, engineer and composer for Reveal. As a multi-instrumentalist, he contributes to the original music, editing and mixing of the weekly public radio show and podcast. He has held four O-1 visas for individuals with extraordinary abilities. His work has been recognized with Peabody, duPont-Columbia, Edward R. Murrow, Gerald Loeb, Third Coast and Association of Music Producers awards, as well as Emmy and Pulitzer nominations. Prior to joining Reveal, Arruda toured as an international DJ and taught music technology at Dubspot and ESRA International Film School. He worked at Antfood, a creative audio studio for media and TV ads, and co-founded a film-scoring boutique called the Manhattan Composers Collective. He worked with clients such as Marvel, MasterClass and Samsung and ad agencies such as Framestore, Trollbäck+Company, BUCK and Vice. Arruda releases experimental music under the alias FJAZZ and has performed with many jazz, classical and pop ensembles, such as SFJAZZ Monday Night Band, Art&Sax quartet, Krychek, Dark Inc. and the New York Arabic Orchestra. His credits in the podcast and radio world include NPR’s “51 Percent,” WNYC’s “Bad Feminist Happy Hour” and its live broadcast of Orson Welles’ “The Hitchhiker,” Wondery’s “Detective Trapp,” MSNBC’s “Why Is This Happening?” and NBC’s “Born to Rule,” to name a few. Arruda also has a wide catalog of composed music for theatrical, orchestral and chamber music formats, some of which has premiered worldwide. He holds a master’s degree in film scoring and composition from NYU Steinhardt. The original music he makes with Jim Briggs for Reveal can be found on Bandcamp.
Najib Aminy is a producer for Reveal. Previously, he was an editor at Flipboard, a news aggregation startup, and helped guide the company’s editorial and curation practices and policies. Before that, he spent time reporting for newspapers such as Newsday and The Indianapolis Star. He is the host and producer of an independent podcast, "Some Noise," which is based out of Oakland, California, and was featured by Apple, The Guardian and The Paris Review. He is a lifelong New York Knicks fan, has a soon-to-be-named kitten and is a product of Stony Brook University’s School of Journalism. Aminy is based in Reveal’s Emeryville, California, office.
Kaitlin Benz is the production assistant for Reveal. She has a bachelor’s degree in journalism from Metropolitan State University of Denver and a master’s degree in audio journalism from UC Berkeley. She’s previously worked at CBS Interactive and Mission Local and as a freelance audio producer. Her favorite things are houseplants and housecats. She is based in Reveal’s Emeryville, California, office.